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Multimedia Design

Chicago (2018)
Directed by Gabe Weider with Lighting Design by Justin Ruggiero

Chicago was produced by Ram's Head Theatrical Society and staged in Stanford's Memorial Auditorium. Featuring a custom built video wall, the video design for Chicago was inspired by the rich visual history of Vaudville. Content was distributed through a combination of in-house software and Dataton's Watchout.

Photo Credit: Frank Chen
Hairspray (2015)
Directed by Ken Savage, Scenic Design by Megan Gage, Lighting Design by Matt Lathrop

Produced by Ram's Head Theatrical Society, Hairspray was the first performance in Memorial Auditorium to feature a custom built 40' by 20' LED video wall. Content was distributed through a combination of Figure 53's Qlab, Dataton's Watchout, and in-house software.

Photo Credit: Frank Chen
The Laramie Project (2017)
Directed by Zach Dammann, Scenic Design by Amber Levine, Lighting Design by Michael Tucker

The Laramie Project was a senior capstone in the Theatre and Performance Studies Department at Stanford University. Staged in 3/4, the video content wrapped above the heads of the audience as a "cloud" that featured imagery from the show's setting of Laramie, Wyoming. Content was streamed from Figure 53's Qlab to Derivative's Touch Designer, which handled the 3d multi projector mapping for the cloud's complex shape.

Photo Credit: Frank Chen
Oh! What a Lovely War (2016)
Directed by Leslie Hill & Helen Paris, Scenic Design by Erik Flatmo, Lighting Design by Michael Ramsaur

Oh! What a Lovely War was produced by the Department of Theatre and Performance studies in Stanford's Pigott Theatre. Multimedia content for the show featured slide shows of maps and propaganda, a scrolling readerboard of newspaper headlines, and historical images projected on the rear backdrop. All content was driven by Figure 53's Qlab, and the readerboard was a portion of the Video Wall used in Hairspray and Chicago.

Photo Credit: Frank Chen